Friday, January 16, 2015

DD-Fucking-LJ

I honestly do not get Hindi movie scriptwriters' fascination with DDLJ. Fuck, what is it about that movie that has so many people seemingly in love with it? Why do films insist on inserting references or even blatantly lifting dialogues, scenes, and riffs from that show? What makes DDLJ so fucking iconic?

I get so mad at the scriptwriter and director whenever that happens, even in "tributes", like in Chennai Express — the ending, not the train scene at the beginning which is actually a decent parody — OMG why did I ever decide to watch it? I even saw this clip in which Sapan Verma was talking about Chennai Express (which should've served as warning that Chennai Express is not worth your time, classist joke about halwais aside):

Anyway, there are two positives in Chennai Express:

  • DIMPLES! I spent a lot of time watching SRK's and Deepika's dimples. Strangely, Deepika's dimples were the only pair I've ever seen that didn't make its wearer cute. No, hers made her very pretty. And she can act! Consider me a new fan!
  • SAREES! Wow, I like almost every single saree Deepika wore and I like how she looked fucking GORGEOUS in every single one! That lady can really carry a saree.

I also watched Fatso! today which I actually prefer to Chennai Express. To me, it's a gentle show which turned out really sweet, although I think maybe there might've been a missed opportunity for a couple twists in Navin's not reading the contract he signed, and in Sudeep's soul's sudden departure. The version I saw (which was uploaded by MyStarMovies) might also have cut out a couple of seconds, I dunno. Nandini and Navin-in-Sudeep talked about a kiss I never saw. How did that happen?

Last Monday I watched 7 Khoon Maaf (interesting and rewatchable; I liked the Irrfan Khan bit best because IRRFAN KHAN!) and Teri Meri Kahani which, I read on Wiki, is a remake of Hou Hsiao Hsien's Three Times. I bought the DVD despite not liking that particular jodi because I honestly thought the story/stories would be interesting, and because Kunal Kohli's Hum Tum was my go-to rom-com when it was released.

Unfortunately for me, Teri Meri Kahani isn't one of those DVDs I might ever watch again. (Also, watching 7 Khoon Maaf and Teri Meri Kahan back-to-back was what made me watch SOTY — only because I needed a cleanser from what was turning out to be a Priyanka Chopra-heavy day.)

What to watch next?

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